Vremya V Kino
This monograph by N.E. Marievskaya explores the construction of time in cinema. Available as a digital PDF download, this Russian-language book offers an in-depth analysis of cinematic temporality. Instant download after purchase.
Book Overview
In “Vremya V Kino” (Time in Cinema), Marievskaya investigates how film time is built, drawing on the concept of “becoming” from natural sciences. The work aims to develop a dynamic poetics of film, viewing the filmmaking process as a movement from idea to final montage. It is a scholarly work published by Progress-Traditsiya in 2015, part of the VGIK tradition.
What You’ll Discover Inside
- Analysis of horizontal and vertical time structures in film
- Exploration of historical, linear, nonlinear, and cyclical time
- Examination of time in memories, dreams, ecstasy, and eternity
- Discussion of character as a temporal form
- Comparison of time in literature and on screen
- Insights into the emotional impact of film time on viewers
Why This Book Matters
This monograph addresses the growing complexity of temporal forms in contemporary cinema, especially with digital technologies. It bridges theory and practice, offering valuable insights for filmmakers, screenwriters, and film scholars interested in the poetics of time.
Book Details
| Format | |
|---|---|
| File Size | 1.9 MB |
| Language | Russian |
| Pages | 352 |
| Publisher | Progress-Traditsiya |
| Publication Date | 2015 |
| ISBN-13 | 978-5-89826-439-0 |
Device Compatibility
This digital PDF can be read on any device that supports PDF files, including Kindle, tablets, desktops, and smartphones. Instant digital delivery ensures immediate access after purchase.
FAQ
Is this an instant download? Yes, after purchase you will receive immediate access to the PDF file.
Will I receive a physical copy? No, this is a digital product only. No physical shipping.
What devices are compatible? Any device that can open PDF files, such as computers, tablets, e-readers, and phones.
Explore the depths of cinematic time with Marievskaya’s scholarly work. Perfect for film theorists and practitioners.

















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