“It is a miracle that any one man should have observed, read, and written down so much in a single lifetime.” — Kenneth Clark
Painter, sculptor, musician, scientist, architect, engineer, inventor . . . perhaps no other figure so fully embodies the Western Ideal of “Renaissance man” as Leonardo da Vinci. Leonardo was not content, however, to master an artistic technique or record the mechanics of a device; he was driven by an insatiable curiosity to understand why. His writings, interests, and musings are uniformly characterized by an incisive, probing, questioning mind. It was with this piercing intellectual scrutiny and detailed scientific thoroughness that Leonardo undertook the study of the human body.
This exceptional volume reproduces more than 1,200 of Leonardo’s anatomical drawings on 215 clearly printed black-and-white plates. The drawings have been arranged in chronological sequence to display Leonardo’s development and growth as an anatomist. Leonardo’s text, which accompanies the drawings — sometimes explanatory, sometimes autobiographical and anecdotal — has been translated into English by the distinguished medical professors Drs. O’Malley and Saunders. In their fascinating biographical introduction, the authors evaluate Leonardo’s position in the historical development of anatomy and anatomical illustration. Each plate is accompanied by explanatory notes and an evaluation of the individual plate and an indication of its relationship to the work as a whole.
While notable for their extraordinary beauty and precision, Leonardo’s anatomical drawings were also far in advance of all contemporary work and scientifically the equal of anything that appeared well into the seventeenth century. Unlike most of his predecessors and contemporaries, Leonardo took nothing on trust and had faith only in his own observations and experiments. In anatomy, as in his other investigations, Leonardo’s great distinction is the truly scientific nature of his methods. Herein then are over 1,200 of Leonardo’s anatomical illustrations organized into eight major areas of study: Osteological System, Myological System, Comparative Anatomy, Nervous System, Respiratory System, Alimentary System, Genito-Urinary System, and Embryology.
Artists, illustrators, physicians, students, teachers, scientists, and appreciators of Leonardo’s extraordinary genius will find in these 1,200 drawings the perfect union of art and science. Carefully detailed and accurate in their data, beautiful and vibrant in their technique, they remain today — nearly five centuries later — the finest anatomical drawings ever made.
Painter, sculptor, musician, scientist, architect, engineer, inventor . . . perhaps no other figure so fully embodies the Western Ideal of “Renaissance man” as Leonardo da Vinci. Leonardo was not content, however, to master an artistic technique or record the mechanics of a device; he was driven by an insatiable curiosity to understand why. His writings, interests, and musings are uniformly characterized by an incisive, probing, questioning mind. It was with this piercing intellectual scrutiny and detailed scientific thoroughness that Leonardo undertook the study of the human body.
This exceptional volume reproduces more than 1,200 of Leonardo’s anatomical drawings on 215 clearly printed black-and-white plates. The drawings have been arranged in chronological sequence to display Leonardo’s development and growth as an anatomist. Leonardo’s text, which accompanies the drawings — sometimes explanatory, sometimes autobiographical and anecdotal — has been translated into English by the distinguished medical professors Drs. O’Malley and Saunders. In their fascinating biographical introduction, the authors evaluate Leonardo’s position in the historical development of anatomy and anatomical illustration. Each plate is accompanied by explanatory notes and an evaluation of the individual plate and an indication of its relationship to the work as a whole.
While notable for their extraordinary beauty and precision, Leonardo’s anatomical drawings were also far in advance of all contemporary work and scientifically the equal of anything that appeared well into the seventeenth century. Unlike most of his predecessors and contemporaries, Leonardo took nothing on trust and had faith only in his own observations and experiments. In anatomy, as in his other investigations, Leonardo’s great distinction is the truly scientific nature of his methods. Herein then are over 1,200 of Leonardo’s anatomical illustrations organized into eight major areas of study: Osteological System, Myological System, Comparative Anatomy, Nervous System, Respiratory System, Alimentary System, Genito-Urinary System, and Embryology.
Artists, illustrators, physicians, students, teachers, scientists, and appreciators of Leonardo’s extraordinary genius will find in these 1,200 drawings the perfect union of art and science. Carefully detailed and accurate in their data, beautiful and vibrant in their technique, they remain today — nearly five centuries later — the finest anatomical drawings ever made.
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11 reviews for Leonardo on the Human Body (Dover Fine Art, History of Art)
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Scotty M –
Great book for art student or anyone taking anatomy class.
Shipping was quick.
Book was exactly as advertised by vendor.
Jimbo Jones –
Excellent book! Great for reference.
podbod –
A beautiful collection of this genius’s drawings of the human body, with interesting and informative accompanying text.
Good size, not too large to sit and read, whilst still retaining the clarity of the illustrations.
Trent –
Given how important the drawings are, it is surprising that the image quality is so bad. Steer clear from this version.
A. Horner –
I bought this used copy which is actually in pretty good shape. I’m fascinated by Leonardo and his skill in drawing, especially anatomy, is second to none. The book covers the various systems of the body (Osteological, Myological, Cardiovascular etc) and it’s amazing to see the detail. I just wonder what it was like to dissect so many cadavers then sit and draw each part of the process. The book has 506 pages and is 21cm wide by 28 high (just under A4 size).