Become Tony White’s personal animation student. Experience many of the teaching techniques of the golden era of Disney and Warner Brothers studios and beyond.all from the comfort of your own home or studio. Tony White’s Animation Master Class is uniquely designed to cover the core principles of animated movement comprehensively. How to Make Animated Films offers secrets and unique approaches only a Master Animator could share. Includes hands-on Tutorials, demonstrations and final sample animations. . Whether you want to become a qualified animator of 2D, 3D, Flash or any other form of animation, Tony White’s foundations bring you closer to that goal. The downloadable resources are invaluable, in that readers are not only taught principles and concepts in the book, they are able to see them demonstrated in action in the movies.
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58 reviews for How to Make Animated Films: Tony White’s Complete Masterclass on the Traditional Principals of Animation
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Brett McCoy –
I’ve studied animation techniques from Tony White’s two previous books, but this one is the best one yet from this master animator from England. He provides an “over the shoulder” view of animation techniques, and lets you look over his shoulder on how in-betweens are done, how generic walks are created, and so on, as if you are a journeyman learning from the master. He starts off with a 10 part foundation course, with exercises for each section, and moves the journeyman animator into more and more complex animation techniques. I’ve got a long way go to myself in terms of my animation skills but Tony White sure has helped me along. The accompanying DVD is also very good as you get to literally watch him draw in-betweens in traditional 2D animation style, with pencil and paper! Tony also provides some lecture material on doing walks, both generic walks and walks with personality. His teaching style seems so patient and nurturing, it must be wonderful to takes courses directly from him. This book provides the next best thing!
bunnyrabbit4 –
This book has some good basic info on hand drawn animation techniques. It is a well thought out course that also acknowledges that most animators will be transfering their work to a computer animation program. Unfortunately, with the exception of the last two chapters it does not devote much time to flowing from paper to the computer. For instance, his drawing of a bouncing rubber ball would likely be done using a combination of drawings (to capture the deformity of the ball as it squishes) and computer tweening (to draw the frames in which ball was the same shape). Until the last two chapters in the book he doesn’t really include specific computer techniques in the workflow. There seems to be a large gap between books like this one that teach the basic principles and those that address the abilities of the programs themselves.
rahman moon –
Very informative great read answered questions about the animation process and hard work that entails. I would recommend this book for beginners.
Pradeep Kumar Singha –
One of the best books for starting with Animation and its Concepts including all the Principles in depth. Its really all about how to make movies from start to end till its distribution. All sort of tips and guidelines you get on what to concentrate and what to avoid. How to create stories, prepare for pre-production and move to production stage till post-production. It actually teaches about hand drawn animation which is extremely necessary if you really want to progress in today’s digital 2D & 3D animation. If you can create animation just by hand, you can do it at best anywhere you like. Remember John Lasseter (the Director of Pixar Animation Studio)? He knew only hand drawn animation but so well that he could do it in the best way in 3D animation using 3D application packages that Ed Catmull had created. So buy this book and read it with all your interest if you really want to be an Animator. It has lots of useful exercises and a video tutorial CD too. Its totally worth it. 🙂
robert williams –
good
Czes Pachela –
An absolute must have for all levels of animators. You will not regret buying this book. It has helped me better understand the required process of frame by frame animation be it for traditional 2D animation or Digital animation techniques.
John –
The book is the last of a trilogy, of sorts. Of course, you don’t really need to get to the first two, but White recommends that you do. He comes across as very knowledgeable in the field, giving you tips and tricks to maneuver around seemingly small things (like how you flip through your pencil test), getting the minutiae out of the way for you to focus on the more important aspects of animation.
I only have two problems with the book so far. One is that the writing comes across as very slow. I think the book could have moved through the lessons much faster without so many descriptions of the artistic process. Instead, and I think this is reasonable, given that many of us artistically inclined folk are visual learners, White could have included more pictures and diagrams for the reader to follow. The second problem, and perhaps he addresses it in his previous books- I haven’t even been all that thorough with this one- is that White doesn’t address the technological issue: what programs are best for putting the animation together and how to set up a capture station (you know, scanning your drawings, photographing them…).
The book is purely a guide that takes you through the stages of understanding the form and flow of movement in animation. It’s incredibly helpful in forming you as an animator, but you may have to seek out other details elsewhere.
shar54 –
Great book takes you step by step into producing an animation film. Plus has cd include which makes it so much better you can actually watch what they are teaching you step by step.
Stop Motion Maniac –
I love the Focal Press animation series of books. I haven’t been disappointed with any of them. Not only is this a good book for a student, it’s also a good book to be implemented in the classroom. At the end of each demo there is an assignment. The dvd is also a great bonus for those who learn better by watching. A great addition to my animation library. Highly recommended.
JD –
I bought this book to help me teach an Animation class for 9-12 year-olds, which I was unfamiliar with. (I had only experience with stop motion.) What I liked most about this book (and I didn’t get a chance to read the whole book) was that in the first chapter, White explains all of the materials he uses and why, and debates/preferences about some materials. He even tells the reader what stores to find certain materials at, and links to online businesses. I felt the book on the whole was helpful, but this–for me–is what separated it from The Animator’s Survival Kit (also a good book).
Jan Andersen –
After reading this book, you just need to practice. All topics about, how to make animated films, is clearly explained here.
Anuj Goyal –
Great book
Inspiring and learning book for animators