Drawing Portraits for the Absolute Beginner: A Clear & Easy Guide to Successful Portrait Drawing (Art for the Absolute Beginner)
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Jerry –
Avevo questo libro ai tempi della scuola, poi andato perso. Ho deciso di riacquistarlo perchè offre sempre spunti utili per il mio lavoro di illustratore.
Robert A. Sloan –
Jack Hamm’s three books “Drawing the Head and Figure,” “How to Draw Animals,” and this volume together form what I consider a complete course in commercial illustration but for color theory, which you can find in many other art books. Drawing well is the basis for every other art form especially in illustration.
This is the most difficult of those three volumes. Prepare to spend some time reading and studying it. I felt like I was back in college, and progressed through it one page at a time doing sketches on index cards with a soft pencil to test the ideas and theories he put forward — and unlike many other art books I’ve read or classes I’ve taken, concepts like composition, balance, light and perspective made sense to me after studying this book. It’s not a light read but it’s so rich.
Jack Hamm’s style is engaging but it’s very content-dense. His books are the peak of the example-heavy content-rich concise style of art instruction. Step by step projects and long personal essays on technique and feeling aren’t what Jack Hamm is about, although his style is engaging he doesn’t seem to have the ego that many art instruction writers do. He doesn’t claim his methods or compositions or styles are the best. He describes as many different ways to do things as they are and constantly encourages imagination, originality and personal style.
He distinguishes realism from artistic exaggeration and explains effectively why you can’t just rely on a photo or even on what you see to create a good believable picture. I’m a writer who has spent a lifetime trying to learn self-illustration and his explanations have successfully broken some mental barriers like overdetailing, lack of focus, bad composition, inconsistent lighting. He encourages boldness and daring.
He has specific examples and details of everything I’d need to use in a scene, from clouds and waves to rocks and trees and houses. Most of all he shows how to create drama within a scene, no matter what the subject is it can be rendered a little bolder than life, it can convey emotion and tell a story.
I’d recommend this without reservation, order all three of them if you don’t have them. All of these books have one quality in common. Even after they’re read, they are great permanent references with examples of trees, waves, houses, styles of clouds — the cloud chart pages are great — so if I’m doing a drawing I can flip to the right section and get ideas for how to handle the sky or what I can do to make the gnarled tree look like endurance.
These books are the kind that will wear out from constant use and need replacing if you’re at all fond of drawing, because there’s always something new and interesting to find for any future artwork. This is why these classics are still in print. Check out the other two and consider his cartooning book as well if you have any interest in cartooning.
Djinn –
Although this book was published over fifty years ago, it has all of the essential planning information needed for any sort of painting. I wish I’d have had this book twenty years ago when I first began learning.
Beverly Roberts –
There wasn’t any “See an inside peek” on this book. If there had been I would not have bought it. It is full of teeny, tiny graphite “thumbnails”, not the large and visually appealing landscapes I was expecting.
omar ruiz o –
Excelente material, fue por este medio que me permitió encontrar fácilmente este ejemplar.
UllaN –
I bought my own copy because I kept checking it out of our local library.
I am a beginner and I need reminders and suggestions.
Ganapathy Subramaniam –
This is an amazing book that teaches how to draw scenary.
When we look at Landscape as a subject it becomes essential to look at composition of the picture. This is an extremely important aspect of creating a drawing, whether landscape or not. more so when its a landscape, since there are bound to be multiple subjects present in the picture.
The book deals in great detail on the various approaches to composing a picture. Learning to look at the whole, creating space within the boundaries, separating /arranging the subjects, creating a path for the eye to flow. these are difficult topics, but essential for a successful picture. Numerous details, and tips are presented on this topic which will enrich ones ability in composition.
These can all be employed while drawing figures/still life or any picture.
There is a lesson titled “Putting subject matter out of the mind” where the author introduces an interesting experiment of trying to compose pictures, with the basic elements such as the line, tone, etc.. but without any specific explicit subject. Its a wonderful exercise that opens up our ability to compose pictures. This is probably similar to the Gesture drawing that Kimon Nicholaides prescribes for capturing action.
There are tons of such useful exercises on composition alone that will make the book worth possesing.
Of course the book deals is awesome detail on the specific subject of scenary.
classified into following sections
Trees and Foliage
Rocks and Mountains
Clouds and Skies
Water : Ocean, Lakes, Rivers
Building
Each one of these contain simple examples, several variations, approaches to capture the particular element.
This pretty much takes care of all that one needs in creating a place for the story a picture tells.
Whether one wants to explore pure landscape as a subject, for painting, or for story Ilustration/ graphic story telling, where one needs to create the space for the characters to live, this is undoubtedly a great book to learn from.
Reanne Rothermel –
If you want to learn landscape painting this is the book! I have had this book for a while and it’s really helpful in teaching me the different techniques of landscape painting. The book hoes in depth about the different techniques of landscape painting. So I am able to do many different types of paintings from this one book. It is pretty thick and the cover of the book I received was yellow which I don’t mind the only thing that I think is an issue are the pages are super thin and easy to tear. But that’s nothing compared to all the information provided within.
denise –
Very Good. I have learnt so much. My only regret is I did not come across art books by Jack Hamm sooner as I went to art college for years when younger and have never been taught anywhere near as much as I hvae in the books by because jack Hamm and Loomis books my art has improved a great deal. They inform you of tried and tested methods which have artists have used for down the ages. Worth getting you wont regret it.
いちかわ しんじ –
漫画家の間の隠れたベストセラー「人体のデッサン技法」の著者ジャック・ハムによる、風景画のハウツー本。
この本の特筆すべき所は、構図の基礎が丁寧に解説されていることである。その分量、実に約２０ページ。この本の約１／６を占める充実ぶりだ。
学校教育ではおざなりに扱われたり、必要以上に神秘化されたりしがちな、画面の分割や視線の誘導といった基本事項が、直線や四角形、矢印といった分かりやすい図形を用いて、懇切丁寧に説明されている。
続く章では、地面の起伏や岩や山、植物、雲や水の具体的な描き方が、様々なパターンの実例と共に紹介されている。画材はいちおう鉛筆画が想定されているが、この本で身につくテクニックは、他の画材にも容易に応用がきくので問題はない。私自身、水彩やおえかきBBSで、この本の知識を存分に活用している。
この本でただ一つ扱われていない分野を挙げるとすれば、透視図法の作図法である。この本から得るべき知識を得てから、他のパース等の専門書で補えば、万全といえよう。
風景画やCGイラストなどの背景などを描き始めたが、どうにも画面が引き締まらない、という人が基礎を身につけたいなら、是非おすすめしたい一冊である。
Mr. P. Le Miere –
Hamm’s Drawing Scenery book was published in 1972, yet it is still full of useful advice to the artist today. As an author, he makes no assumptions about the reader’s drawing skills, and gets right down to basics. This book is broad enough to be written for the general artist, whether you are an illustrator, commercial artist, or fine artists. While it has a slight comic book artist feel about it, the tips and advice are not limited to just comic book art. I’ve only taken one star off for its unusual layout – but then it was written BC (before computers).
Andecaya –
Obwohl das Buch in englischer Sprache geschrieben ist, ist es ausgesprochen hilfreich. Die schrittweisen Illustrationen allein sind schon sehr nützlich, wenn man ein paar Brocken Englisch versteht, erschließt sich einem noch einiges mehr. Von vorn bis hinten sind hier alle Schritte zum Zeichnen von Landschaften enthalten, wie man einzelne Elemente zeichnet (es gibt eine Doppelseite mit verschiedenen Baumarten und weitere Seiten, wie man beginnt einen Baum zu zeichnen) bis hin dazu, wie man das Bild zu Beginn aufbaut und Tiefe erzeugt. Alles ist mit einer Fülle von Beispielen versehen. Sogar verschiedene Wolkentypen sind einmal beispielhaft aufgezeigt. Für totale Einsteiger in Sachen Landschaft fehlen allerdings ein paar grundlegende Techniken, aber die könnte man sich mit Geduld auch selbst erarbeiten. Wer schon ein bisschen gezeichnet hat, der sollte keine Probleme haben. Hervorragendes Buch, ich kann es nur weiterempfehlen.